The star of the show was definitely the Pony 9.5″ pull saw from Woodcraft. This enabled me to make tight, clean cuts, and most importantly, I could cut the large sheets by placing them on the ground on a series of 2’x4’s layered two deep, and then climbing on top of them.
Even though I used two folded towels for pads, my knees are quite sore today.
With the brass section nicely recorded, I am currently fighting the Telecaster which is being very bossy and insisting on replacing all the guitar parts.
The cavity underneath will hold my Fantom FA76 controller keyboard. When I’m not playing keys, I’ll cover it up with the removable section of the desktop. I’ll use dowels or pins of some kind along the back edge to support the back edge.
Each rack bay should have enough room for 5 units. I’ll put audio rack gear in the left side (Echo Layla, patchbay, and the GSP21), and MIDI on the right (D-550, TR-Rack, MIDI Patchbay, and master power strip.
The PC monitor and keyboard will fit between the two equipment bays, and I’ll mount the studio monitors on top (sitting on Auralex isolation pads, of course).
I will probably need a separate stand the Roland SPD-20 Octopad. Right now it is sitting on my second office desk, and although moving the Fantom into the desk will free up a tier on my keyboard stand, I’m not sure the SPD-20 will fit securely. Some more thought is required there.
The panels will fall out nicely from a couple of 4×8 ACX Plywood sheets, giving me plenty of scrap for, oh, a drawer on the right, perhaps.
Working on the Big Boys: The drums and bass are locked in, sounding great.
Now I’ve started re-recording the brass section. Given that I don’t have access to a brass section, the trick to getting this sounding realistic is to record 3 separate tracks, independently, using different instruments. The Fantom has a nice brass trumpet patch – I’ll use that for Trumpet #1. The Korg TR-Rack has another, slightly different sounding trumpet patch, mellower but nice vibrato: I’ll use that for Trumpet #2. Then the bottom line of the chord will be held down with an Alto Sax, not sure which synth module will provide that. I’ll have to do some comparisons and see which one sounds best. Probably the Korg TR.
The Echo Layla 3G is installed in my rack. Still figuring out how to use it. Last night monitoring didn’t seem to be working at all, but this morning I read the manual. It helps. The secret is in the console application.
Melodic progressive rock songs and instrumental interludes, a touch of 70’s influence but a product of the dystopian Now.
“Very smooth, hi-tech sounding delivery…” – Chris Jemmett, alt.music.yes
“This guy is awesome.” – Dazed, on the Carvin Forum.
“..on a rare occasion you just have to conclude that the prog world should be feasting upon the birth of a new and promising act. That’s exactly the case with this [first] album.”
– Theo Verstrael, DPRP.net
“I find this new album attractive, [..] slightly less appealing than the 2014 debut. But as that is often the case with great artists, let it not distract you from trying this fine album. Especially those that are interested in bands that play varied, cleverly made, well played and sung [..], this might just be your cup of tea.”
– Theo Verstrael, DPRP.net
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