{"id":34,"date":"2018-02-23T19:24:00","date_gmt":"2018-02-23T19:24:00","guid":{"rendered":"\/blog\/post\/2018\/02\/23\/A-Reaper-video-for-everything-mapping-Sonar-features"},"modified":"2018-02-23T19:24:00","modified_gmt":"2018-02-23T19:24:00","slug":"a-reaper-video-for-everything-mapping-sonar-features","status":"publish","type":"post","link":"https:\/\/prodigalsounds.com\/blog\/2018\/02\/23\/a-reaper-video-for-everything-mapping-sonar-features\/","title":{"rendered":"A Reaper video for everything – mapping Sonar features"},"content":{"rendered":"

Kenny Gioia<\/a> may be one of the primary reasons the Reaper Digital Audio Workstation (DAW) is so popular. For any specific feature you can name, there is apparently a YouTube video by Kenny that demonstrates and explains it. He has. An odd way. Of speaking. That is disconcerting at first. But after a while, you get used to it, and I find it very easy to absorb the information Kenny is relating.<\/p>\n

For my own benefit, I’m going to keep an index of videos I’ve found useful when researching how to map a specific SONAR feature to Reaper’s functionality. At least, that was my intention when I started.<\/p>\n

Master Bus, and Track vs. Buss in general:<\/p>\n